FINE ART PHOTOGRAPHY | COLORADO · THE AMERICAN WEST · EVERYWHERE
A photograph changes the
tone of a room.
I create fine art photography made for exceptional spaces. Most rooms get finished with whatever was available. If you've been holding a wall for something better, it's here.
Real places. Made large. Always iconic. Signed in Colorado Springs.
Selected American West work
Most of my images are created from dozens of exposures rather than made as single frames. That process allows them to hold remarkable detail at architectural scale. The collection extends throughout the American West and beyond.
INSTALLATIONS AND COMMISSIONS
Everything here is a fine art edition, made for the place it hangs in.
Sometimes the picture doesn’t exist yet. Sometimes it exists and needs to be forty feet wide, on a wall in a building that isn’t finished. Either way, the images will do what you need them to do.
Everything is captured in color and finished to the room — full color, or black and white rendered with film emulations. The palette gets decided with the interior, not when I make the image on scene.
These prints are made on Hahnemühle PhotoRag 308 archival matte paper. Archival rag for gallery and public spaces, and face-mounted acrylic or dibond aluminum where a surface has to be non-porous and cleanable. Proofed by hand, signed and numbered, and issued with a certificate of authenticity.
Editions of 25 up to 40 inches on the long edge, and 10 above that. Then closed for good. Licensing an image for a building is separate from the print edition. A building never consumes an edition number.
When the archive doesn't hold what a space needs, I go and make it. Tell me what the room needs. If it exists in my archive, I'll send it. If it doesn't, we'll go shoot it.
Sized and priced for the wall it’s going on.
The 15 × 10 in silver halide signed series is in the shop, along with Sean's books. SMALLER PRINTS →
SOMEWHERE BETWEEN FOUR CORNERS AND CORTEZ, COLORADO
WHO YOU’RE TALKING TO
SEAN SHERIDAN
Sean has spent twenty-five years photographing the world — 99 countries, some of its hardest places imaginable, and some of its most extraordinary natural beauty.
He brings that same instinct to fine art: finding the moment people stop performing — which turns out to be the same instinct that finds the moment a landscape stops posing. He proofs every edition by hand before it opens, and signs each print before it leaves.
SEAN SHERIDAN | ARTIST SEAN@SEANSHERIDAN.COM
MONET MARTIN
Monet handles private showings, project conversations and procurement. If you are a collector, designer or art consultant, she is who you likely want to get into contact with first.
Thirty years selling carbon steel across the country taught her how a real project moves — specifications, lead times, procurement, the lot. She has known Sean for twenty‑five years, and asked him in 2024 whether the work could be doing more than sitting in a drawer.
MONET MARTIN | AGENT MONETMO@SEANSHERIDAN.COM
SANTA ROSA AND SAN JACINTO MOUNTAINS, CALIFORNIA
START A PROJECT
Tell me about your room. Or rooms.
Dimensions, or a photograph of the wall, or one sentence about what it’s for. That’s enough to begin.